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Dynamic Headphones Sound Reality ®

History of creation
I have held many different factory-made headphones in my hands. What can I say... most of them, even those costing $500 - $1500, create a two-dimensional soundstage, where all instruments are heard as if arranged in a single line, and each of them individually resembles a drawing on a wall, rather than a full, realistic image
The criterion for evaluating sound as "two-dimensional / three-dimensional" does not refer to the frequency response (FR), but to resolution. That is, associatively, if we compare the sound to an image on a monitor, we are talking about a 470, 720, or 1080 pixel picture. And the FR is, merely, the tonal balance of colors
So, from the perspective of resolution, most of the factory-made dynamic headphones offered at relatively affordable price are, frankly speaking, underwhelming
However, the laws of physics work the same way in stationary acoustic systems as they do in headphones. Therefore, my developments over recent years in building home audio systems have helped significantly change the approach to manufacturing dynamic headphones and raise their level of resolution
Thus, I have succeeded in creating dynamic headphones that paint a three-dimensional audio picture and volumetric, realistic images of musical instruments
Approach to realization
For manufacturing Sound Reality ® headphones, I use factory-made enclosures with headbands, which fit comfortably on the ears, are easily adjustable for height, and feature sufficiently large and elastic replaceable earcups
Sound Reality ® dynamic headphones are made in so-called "open" and "closed" acoustic designs, as both types have their advantages and disadvantages, and the listener's choice is always a set of compromises
In open-back headphones, one side of the driver plays into the listener's ear, while the other side of the driver is open to the surrounding environment
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Advantages: "more open," transparent and airy sound.
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Disadvantages: firstly, ambient noise is more audible to the listener; secondly, people around can hear the music almost as loudly as the listener themselves through the headphones
In closed-back headphones, the outer side of the driver is sealed from the surrounding environment
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Compared to "open-back" headphones, "closed-back" ones have a slightly duller sound, but all instrument parts that dominate the low-frequency range sound more "tight and rapid-fire". This is especially evident in the formation of images of percussion instruments, bass guitar, and double bass—you hear a clearer strike, you better feel the musician's emotional state, with what force they hit the drum or pluck the string
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Another advantage of closed-back headphones is the isolation of the sound field created for the listener from the surrounding environment. The listener does not hear the noises around; and those around do not hear what you are listening to
When manufacturing drivers for headphones, I use the same principles as when upgrading drivers for Sound Reality stationary home audio systems
I also pay special attention to cable manufacturing, and all Sound Reality headphone models, both dynamic and planar, perform best with my cables
The range
Solo




Headphones for those who enjoy listening to instrumental music, jazz and classical music at relatively low volumes
Thanks to comfortable enclosures and earcups that are barely noticeable on the head, they are suitable for long listening sessions
Durable due to the absence of plastic parts in the enclosure construction
Manufactured in two variants: open or closed-back type)
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Impedance: 32 Ohm
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Driver Diameter: 40 mm
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Diaphragm Material: Mylar
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Voice Coil Diameter: 16 mm
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Sensitivity: 109 dB
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Frequency Response: 30 - 24,000 Hz
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Acoustic Design: Closed-back or open-back type
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Earcup Outer Diameter: 9.5 cm
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Earcup Material: Eco-leather
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Enclosure Material: Aluminum
Price range: $90-100 (including cables for $15)
Universal




Perfect for those who love to customize their audio experience
In this model you can:
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Change the acoustic design - switch between open, semi-open, and closed-back configurations
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Swap out earcups - choose from on-ear to over-ear, and from foam to eco-leather or velour
They feature a robust and reliable construction and excel across all music genres
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Impedance: 32 Ohm
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Driver Diameter: 50 mm
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Diaphragm Material: Mylar with silicone
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Voice Coil Diameter: 20 mm
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Sensitivity: 116 dB
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Frequency Response: 22 - 27,000 Hz
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Acoustic Design: Open-back type (with interchangeable options)
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Earcup Outer Diameter: Variable
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Earcup Material: Customizable (70mm - 105mm)
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Enclosure Material: Aluminum
Price range: $150 - 170 (including cables for $50)
Concerto




Headphones for lovers of rock, blues, and, in general, music with a significant bass component
The semi-open acoustic design contributes to a pronounced rhythm section sound
In this model, the listener can independently adjust the low-frequency output
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Impedance: 32 Ohm
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Driver Diameter: 50 mm
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Diaphragm Material: Mylar
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Voice Coil Diameter: 20 mm
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Sensitivity: 116 dB
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Frequency Response: 15 - 26,000 Hz
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Acoustic Design: Semi-open type
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Earcup Outer Diameter: 10.5 cm
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Earcup Material: Eco-leather
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Enclosure Material: Plastic + Aluminum
Price Range: $130 (including cables for $50)
Symphony




Multi-genre headphones for listeners of classical music, jazz, as well as electronic music and rock
Have the highest resolution achievable in dynamic headphones
Reliable construction and high-quality materials for the headband and earcups
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Impedance: 300 Ohm
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Driver diameter: 50 mm
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Diaphrane material: Biocellulose
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Voice coil diameter: 25 mm
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Sensitivity: 118 dB
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Frequency response: 5 - 28,000 Hz
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Acoustic design: open or closed-back type
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Earcup outer diameter: 11*9 cm
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Earcup material: perforated eco-leather + velour
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Enclosure material: natural wood (walnut)
Price range: $400-460 (including cables for $120)
